The Design with Light lanterns in transparent glass were created to cast a special light over any environment anywhere.
With its glass and full-grain leather, the range has a clean, Scandinavian look and works as a mobile light source all year round.
The lanterns can be used on the patio on long summer nights, in the window, on the floor or as table decorations.
Design with Light was created for both outdoor living and creating atmosphere indoors but should be stored indoors to protect the leather handle.
The round opening is handmade by our experienced craftsmen which makes each lantern unique.
Designer: Maria Berntsen
The history of Holmegaard glassworks began in 1823, when Count Christian Danneskiold-Samsøe sought permission from the King of Denmark to establish a glassworks at Holmegaard Mose. However, the Count died in 1823 without receiving an answer to his request. His dowager, Countess Henriette Danneskiold-Samsøe, decided to pursue the project when, shortly after the death of her husband, she received permission from the King to establish a glassworks. The factory was to be located in the bog because there was sufficient fuel there to produce the high temperatures needed for the glass kiln.
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The Design with Light lanterns in transparent glass were created to cast a special light over any environment anywhere.
With its glass and full-grain leather, the range has a clean, Scandinavian look and works as a mobile light source all year round.
The lanterns can be used on the patio on long summer nights, in the window, on the floor or as table decorations.
Design with Light was created for both outdoor living and creating atmosphere indoors but should be stored indoors to protect the leather handle.
The round opening is handmade by our experienced craftsmen which makes each lantern unique.
Designer: Maria Berntsen
The history of Holmegaard glassworks began in 1823, when Count Christian Danneskiold-Samsøe sought permission from the King of Denmark to establish a glassworks at Holmegaard Mose. However, the Count died in 1823 without receiving an answer to his request. His dowager, Countess Henriette Danneskiold-Samsøe, decided to pursue the project when, shortly after the death of her husband, she received permission from the King to establish a glassworks. The factory was to be located in the bog because there was sufficient fuel there to produce the high temperatures needed for the glass kiln.
